How ‘American Conspiracy: The Octopus Murders’ Channels Alfred Hitchcock’s Use of Duality

“I took it into this Hitchcockian area and used doppelgänger references that exist already in the language of cinema,” director Zachary Treitz tells TheWrap

Christian Hansen in "American Conspiracy: The Octopus Murders" (Netflix)
Christian Hansen in "American Conspiracy: The Octopus Murders" (Netflix)

Duality is one of the most organic themes in literature and movies. The idea of two sides within one person – or two people who share one identity – has been explored since storytelling was invented. And Netflix’s new four-part docuseries “American Conspiracy: The Octopus Murders” offers a tantalizing take on the concept.

While mainly focusing on a vast network of corruption and malfeasance in the U.S. government, the series also tells another story of two men: Investigative reporter Danny Casolaro, who was researching the scandal he called “The Octopus” when he was found dead in 1991; and photojournalist Christian Hansen, who a decade ago took up Casolaro’s cause and continued to track the deceased writer’s leads.

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