‘Gone in the Night’ Film Review: Winona Ryder Confronts the Passage of Time in a Thriller Packed with Twists

Eli Horowitz’s film starts out like a cabin-in-the-woods horror movie before flipping the script on multiple occasions

The Cow
SXSW

This film was originally reviewed out of SXSW 2022 under its previous title, “The Cow.”

In writer-director Eli Horowitz’s labyrinthine, mostly unpredictable thriller “Gone in the Night,” becoming increasingly risk-adverse is one clear symptom of getting older.

Part unlikely friendship tale and part potpourri of genre tropes orchestrated as a parade of red herrings, this debut feature takes on modern culture’s blatant disdain of aging and veneration of youth.

It begins with a common sequence: two people driving on an empty tree-lined road. They are, of course, heading toward an isolated destination in the middle of nowhere. Middle-aged hydroponics expert Kath (Winona Ryder) and her younger, man-child boyfriend Max (an amusingly annoying John Gallagher Jr.)

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